GUILDFORD
PHILHARMONIC
ORCHESTRA
-84 Season
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THE WINTER SERIES
CONCERTS
30 November &
1 December 1983
IGOR OISTRAKH
Violin, with Natalia Zertsalova, piano
Mozart, Brahms, Khrennikov, Dvorak,
Wieniawski
Tickets: £50 inclusive
13 & 14 December 1983
PHILIP JONES BRASS ENSEMBLE
Two trumpets, horn, trombone, tuba
Music from the Renaissance
Tickets: £40 inclusive
Addison, Scheidt, Maurer, Salzedo
1 & 2 February 1984
ISRAEL PIANO TRIO
Ticket: £40inclusive
Violin, cello, piano
Haydn, Shostakovich, Brahms
15 & 16 February 1984
ORLANDO STRING QUARTET
Tickets: £40 inclusive
Two violins, viola, cello
Mozart, Wolf, Schubert
11 & 12 April 1984
JEFFREY SIEGEL
Tickets: £40 inclusive
Piano
Schubert, Mozart, Barber, Schumann
25 & 26 April 1984
JEAN-PIERRE RAMPAL
Flute, with David Owen Morris, piano
Tickets: £50 inclusive
Handel, Telemann, Beethoven
Prokofiev, Bartok Arr. Arma
Tickets include a Reception, the Concert, and a three course Supper
in the Long Gallery
YOUNG PERFORMERS SERIES
18 January 1984
BRODSKY STRING QUARTET
Tickets: £12 inclusive
Two violins, viola, cello
Mozart, Lutoslawski, Schumann
7 March 1984
SOPHIE LANGDON
Tickets: £12 inclusive
Violin with Christopher Green-
Armytage, piano
Pugnani-Kreisler, J S Bach, Bartok,
Cowell, Brahms
21 March 1984
PAUL COKER
Tickets: £12 inclusive
Piano
Schubert, Tippett, Beethoven, Schumann
Tickets for these informal evenings will include Wine
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CORPORATE MEMBERS
The Guildford Philharmonic Orchestra and Guildford
Borough Council are very grateful to MARKS
& SPENCER PLC and IND COOPE FRIARY MEUX
LIMITED who by their membership are supporting the
Guildford Philharmonic Orchestra in the forthcoming
season.
Four Corporate Membership schemes are available which
provide tickets in various parts of the Civic Hall and advertisement in all the programmes for Guildford Borough
Council’s series of concerts in the Civic Hall.
If you are interested in further information, please contact:
Concerts Manager
Guildford Philharmonic Orchestra
The Lodge
Allen House Grounds
Chertsey Street
Guildford GU1 4HL
GUILDFORD BOROUGH COUNCIL
CONCERTS 1983/84
GUILDFORD CATHEDRAL
(By kind permission of the Dean and Chapter)
SATURDAY 11 FEBRUARY 1984
at 7.45 p.m.
Guildford
Philharmonic¢
Orchestra
Associate Leaders:
HUGH BEAN and JOHN LUDLOW
PHILHARMONIC CHOIR
JULIE KENNARD
Soprano
JEAN RIGBY
Alto
ROWLAND SIDWELL
Tenor
MICHAEL GEORGE
Bass
BRIAN WRIGHT
Conductor
This concert is promoted by Guildford Borough Council with financial
support from the South East Arts Association.
Brian Wright is now acknowledged as one of Britain’s
Gulbenkian
Julie Kennard, the Welsh soprano, was born in Newport, South Wales, and gained a BA in music at
scholar, studied in London and Munich and with Jascha
Southampton University. She then studied singing under
leading
young
conductors.
He
was
a
Horenstein. In 1975, following successes in conducting
Ruth Packer and Gerald English at the Royal College of
competitions in London and Milan, he was appointed as
Assistant to André Previn and the London Symphony
Music.
Orchestra for one year.
From
1976-1984,
he
was
conductor
of the
BBC
Symphony Chorus, an appointment which led to extenbroadcasting with all the BBC orchestras. He
sive
toured
Switzerland
She has travelled abroad extensively and her singing
engagements have taken
and
Belgium
with
the
BBC
Symphony Orchestra and in May 1981 conducted the
final Royal Festival Hall concert of their 50th Anniversary season.
her to
Spain, Switzerland,
Belgium, France, Germany, Holland and Ireland.
Recordings include a modern work by Dallapiccola, two
with Denis Stevens and the Academia Monteverdiana
and in 1980 she recorded the Nelson Mass with St
Paul’s Cathedral Choir which was televised for
European
network.
Soon
after leaving college, Miss
Kennard appeared in a televised version of Beethoven’s
Brian Wright is a regular guest conductor with many of
9th Symphony with Janos Furst. She has broadcast fre-
Britain’s major orchestras. London engagements in
1983 have included appearances with the London
quently on BBC Radio3 and several broadcasts on
Philharmonic,
monia
and
the
the
Royal
BBC
Philharmonic, the
Symphony
Philhar-
Orchestras.
He
is
currently Music Director of Goldsmiths Choral Union
whom he directed through a triumphant Anniversary
year in 1982, and Artistic Director of Musicians of
London whom he recently conducted in a cycle of the
last four Mozart Symphonies in the Barbican Centre.
Overseas engagements have taken him to Germany,
Italy, Portugal, Switzerland and Belgium and in
February 1984 he makes his debut in the USA, in Pittsburgh. He has received critical acclaim for his many
performances, particularly of large scale works, in a
repertoire which stretches from Bach to Penderecki and
he is noted for his interpretations and control of large
musical structures and forces. He conducted Berlioz’s
Grande Messe
des
Morts
at
the
1982
Promenade
Concerts and in recent seasons has given first British
performances of two
premieres have
Lutoslawski.
major works of Liszt.
included
works
by
British
Penderecki
and
Spanish, Belgian, French and Dutch Radio.
Specialising in oratorio, Miss Kennard has appeared frequently in the concert halls on the South bank, the
Royal Albert Hall and St John’s Smith Square, and at
many festivals including Flanders, Tilford, Haslemere,
Swansea, Bury St Edmunds and the Yehudi Menuhin
Festival in Gstaad. At the Three Choirs Festival she has
performed two commissioned works, the Herefordshire
Canticles by John Joubert in 1979 and Lux Aeterna by
William Matthias in 1982 with the Royal Philharmonic
Orchestra.
Last year Julie Kennard appeared in Spain with the
Academy of St Martin-in-the-Fields conducted by
Laszlo Heltay. Other conductors with whom she has
worked are Sir Charles Groves, Richard Hickox and
Elgar Howarth.
Jean Rigby, mezzo-soprano, was born in Lancashire
Rowland Sidwell represents an unusual phenomenon
and began her musical studies at the Birmingham
School of Music, studying piano and viola. Whilst there,
because it was not until his late thirties, after he had
in 1976 she began singing with Janet Edmunds and the
taken part in much oratorio as an amateur, that he
following year entered the Royal Academy of Music to
started training for a professional singing career.
study
with
Patricia Clark.
She was
awarded
many
scholarships and prizes including a bursary of the
Friends of Covent Garden, a Countess of Munster
Scholarship,
a
Worshipful
Company
of Musicians’s
medal and the Principal’s Prize. In July 1981 she won
the
Royal
Over-Seas
League
Competition,
and
in
September the Young Artists’ Competition sponsored
by English National Opera.
In
September gnd October
member
1981 Jean Rigby was a
of Glyndebourne Touring
Opera and then
joined the National Opera Studio. On leaving the Opera
Studio she joined the English National Opera as principal mezzo-soprano and her roles in her first season in-
cluded Maddalena in Rigoletto, Pauline in The Queen of
Spades, Marina in Boris Godunov and Blanche in The
Gambler. She also made her Covent Garden debut as
Tebaldo in Don Carlos.
Jean Rigby also has a busy concert career and has
appeared
regularly
on the
South Bank
including
a
Purcell Room recital, at the Barbican, Wigmore Hall, at
the Camden
Festival
and many other engagements
throughout the country.
This year Jean Rigby sang the title role in the English
National
Opera’s
new
production of The Rape of
Lucretia for which she received outstanding reviews
from the national press.
sung at both Guildford Cathedral and St Paul’s, and
Within a very short time he has established himself as
one of the most exciting newcomers and finds himself on
the brink of a major career.
He was appointed principal tenor with the English
National Opera last season where his first major role
was Dimitri in Boris Godunov and this season his roles
have already included Pinkerton in Madam Butterfly
and later Tamino in Magic Flute. For Glyndebourne he
sang Florestan in their revival of Fidelio in the autumn
for the touring company.
His plans at the ENO next season include performances
of Fidelio and Otello.
Concert engagements this season include appearances
with the Halle and Scottish National Orchstra and
future plans include concerts with the BBC Symphony
Orchestra and BBC Philharmonic.
Philharmonic Choir
Vernon Handley, who as Guildford Borough Council’s
Director of Music, was responsible for the training of
the
Philharmonic
Choir,
resigned
his
position
in
September last year. Kenneth Lank, who was Vernon
Handley’s assistant for many years, now takes over the
role as Chorus Master of the Philharmonic Choir for the
current season. The Choir’s accompanist is Christopher
Mabley.
The Choir made its first recording of Intimations of Immortality by Gerald Finzi in 1973 with the Guildford
Philharmonic Orchestra and in 1976 recorded Hadley’s
The Trees so High with the Philharmonia Orchestra. It
performs regularly with the Guildford Philharmonic
Orchestra in its series of concerts in Guildford Civic
Hall.
The next appearance of the Philharmonic Choir will be
on 5 May when Delius’ Sea Drift will be conducted by
Vernon Handley in the Civic Hall.
The Philharmonic Choir has a few vacancies for singers
with
a
reasonable
standard
of
sight
reading
and
welcomes attendance in the Methodist Hall, Guildford,
on Monday 13 February when the Choir will commence
rehearsals for Delius’ Sea Drift. (Enquiries — telephone
Guildford 573800.)
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Michael George, baritone, began his musical studies
training as a chorister at King’s College Cambridge. He
later won an exhibition to the Royal College of Music.
After leaving college he pursued a career mainly in
oratorio but was asked to sing a leading role in an opera
The Philharmonic Choir is delighted to be singing this
evening’s performance of Verdi’s Requiem in association
with a section of Goldsmiths Choral Union of which
Brian Wright is Musical Director.
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by Kaiser which was sponsored by the West German
government. His next opera engagement was with the
English Bach Festival in performances of Castor et
Pollux which took him to Paris and Monte Carlo Opera
houses as well as to Covent Garden.
Michael George has worked extensively in Europe and
has recorded Monteverdi’s Vespers with the Montserrat
Boys Choir in Spain and also in 1981 recorded Handel’s
Dettingen Te Deum in Paris. His work abroad has taken
him to Japan, Russia, Hungary and Poland as well as
South America and Korea. He made a record of
Stainers Crucifixion with Peterborough Cathedral Choir
and has sung with many British Choral Societies and
festivals, including Tilford, Aldeburgh, Swansea and
Bath. Mr George frequently broadcasts for BBC and
many foreign radio stations.
Michael George has just appeared in the world premiere
of The Tower of Babel. This year he will make two
appearances at the Proms, the Three Choirs Festival
and a concert at the Barbican for the BBC, with whom
he broadcasts frequently. he will also be working extensively in Europe as well as performing many concerts
with British Choral Societies and Festivals.
Requiem
Verdi 18131901
In
1871
Verdi had remarked, “There are so many
Masses for the dead that it is pointless to add any
more.” However, several years before he had already
written the Libera Me as part of a strange scheme
suggested by the composer himself that all the leading
composers of Italy should combine to write a Requiem
after the death of Rossini in 1868. The death of the poet,
Manzoni, in 1873 finally produced the stimulus needed
to get Verti to develop the Libera Me into the Requiem
and the Dies Irae, and then to complete the Requiem
Mass.
It is one of Verdi’s few ecclesiastical compositions, and
was a breath of fresh air in sacred music when it was
first performed in 1874, and remains interesting today
for the same reasons. Verdi combines in it many styles:
unaccompanied choral
singing, stylised chant, opera
aria, church and theatre music. With so many styles in
the work, it has suffered badly from being “overdone”,
despite Verdi’s many letters to musician friends that
they should simply obey his markings. He waxed bitter
on many occasions about conductors who indulged in
unmarked rubato and senseless changing of tempi. The
full-blooded work has survived these maulings, but is
rarely allowed to show off its lighter textures without un-
due sentiment. The composer conducted the first performance.
No. 1. Requiem
Ingemisco. Tenor
Soprano, Mezzo-Soprano, Tenor, Bass and Chorus
Te decet hymnus, Deus, in Sion, et
Ingemisco tanquam reus,
Culpa rubet vultus meus,
Supplicanti parce, Deus.
Qui Mariam absolvisti,
tibi redetur votum in Jerusalem:
Et latronem exaudisti,
exaudi orationem meam, ad te omnis
Mihi quoque spem dedisti.
caro veniet.
Preces meae non sunt dignae,
Requiem aeternam dona eis Domine:
Sed tu bonus fac benigne,
Requiem aeternam dona eis Domine:
et lux perpetua luceat eis.
et lux perpetua luceat eis.
Kyrie eleison, Christe eleison.
Ne perenni cremer igne.
" Inter oves locum praesta,
Et ab hoedis me sequestra,
No. 2 DIES IRAE
Statuens in parte dextra.
Solo Quartet and Chorus
Confutatis. Bass and Chorus
Dies irae. Chorus
Confutatis maledictis,
Dies irae, dies illa,
Flammis acribus addictis,
Solvet saeclum in favilla,
Teste David cum Sybilla.
Quantus tremor est futurus,
Voca me cum benedictis.
Quando judex est venturus,
Gere suram mei finis.
Cuncta stricte discussurus!
Tuba mirum. Bass and Chorus
Tuba mirum spargens sonum,
Per sepulchra regionum,
Coget omnes ante thronum.
Oro supplex et acclinis,
Cor contritum quasi cinis,
Dies irae, dies illa,
Solvet saeclum in favilla,
Teste David cum Sybilla.
Lacrymosa. Solo Quartet and Chorus
Lacrymosa dies illa,
Mors stupebit et natura,
Qua resurget ex favilla,
Cum resurget creatura,
Judicandus homo reus.
Judicanti responsura.
Huic ergo parce Deus.
Liber scriptus. Mezzo Soprano and
Chorus
Liber scriptus proferetur,
Pie Jesu Domine,
Dona eis requiem!
Amen.
In quo totum continetur,
Unde mundus judicetur.
Judex ergo cum sedebit,
Quidquid latet apparebit,
Nil inultum remanebit.
INTERVAL
Dies irae, dies illa,
Solvet saeclum in favilla,
Teste David cum Sybilla.
Quid sum miser. Soprano,
Mezzo-Soprano and Tenor
No. 3 OFFERTORIO
Solo Quartet
Domine Jesu Christe, rex gloriae,
Quid sum miser tunc dicturus,
Quem patronum rogaturus,
libera animas omnium fidelium
Cum vix justus sit securus!
profundo lacu.
defunctorum de poenis inferni et de
Rex tremendae. Solo Quartet and
Libera eas de ore leonis, ne absorbeat
Chorus
eas tartarus, ne cadant in obscurum:
Rex tremendae majestatis,
Qui salvandos salvas gratis,
Salva me, fons pietatis.
Recordare. Soprano and
sed signifer sanctus Michael
repraesentet eas in lucem sanctam,
quam olim Abrahae promisisti et
semini ejus.
Hostias et preces tibi, Dominie, laudis
Mezzo-Soprano
offerimus.
Recordare, Jesu pie,
Tu suscipe pro animabus illis, quarum
Quod sum causa tuae viae,
hodie memoriam facimus, fac eas,
Ne me perdas illa die.
Domine, de morte transire ad vitam,
Quaerens me, sedisti lassus,
quam olim Abrahae promisisti et
Redemisti crucem passus,
Tantus labor non sit cassus.
Libera animas omnium fidelium
semini ejus.
Juste judex ultionis,
Donum fac remissionis
defunctorum de poenis inferni et de
Ante diem rationis.
vitam.
profundo lacu, de morte transire ad
No. 4. SANCTUS
Chorus
Sanctus Dominus Deus Sabaoth.
Pleni sunt coeli et terra gloria tua.
Hosanna in excelsis!
Benedictus, qui venit in nomine
Domini.
Pleni sunt coeli et terra gloria tua.
Hosanna in excelsis!
No. 5. AGNUS DEI
Soprano, Mezzo-Soprano and Chorus
Agnus Dei, qui tollis peccata mundi,
dona eis requiem.
Agnus Dei, qui tollis peccata mundi,
dona eis requiem sempiternam.
No. 6. LUX AETERNA
Mezzo-Soprano, Tenor and Bass
Lux aeterna luceat eis, Domine, cum
sanctis tuis in aeternum, quia pius es.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis.
No. 7. LIBERA ME
Soprano and Chorus
Saturday 3 March 1984 at 7.45 p.m.
Civic Hall, Guildford
Leisure Learning Weekend
Symphony No. 38 in D major ‘Prague’
Mozart
Symphony No. 4 in G major
Mabhler
Joan Rodgers, Soprano
Sir Charles Groves, Conductor
Workshop with members of the Guildford
Philharmonic Orchestra and Sir Charles Groves
at 11.30 a.m. Admission free.
Saturday 24 March 1984 at 7.45 p.m.
Civic Hall, Guildford
The Seasons
Haydn
Guildford Choral Society
Guildford Philharmonic Orchestra
Eiddwen Harrhy
Richard Morton
David Wilson-Johnson
Hillary Davan Wetton, Conductor
Libera me, Domine, de morte aeterna,
in die illa tremenda; quando coeli
Civic Hall, Guildford
movendi sunt et terra.
Crossley Clitheroe Concert
Dum veneris judicare saeculum per
ignem.
Tremens factus sum ego et timeo, dum
discusso venerit atque ventura ira.
Dies irae, dies illa, dies calamitatis et
miseriae, dies magna et amara valde.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis.
Libera me, Domine, de morte aeterna,
Sunday 25 March 1984 at 3.00 p.m.
Overture ‘Doctor Miracle’
Bizet
Horn Concerto No. 1
Richard Strauss
Symphony No. 2 in D major
Brahms
Michael Thompson, Horn
Vernon Handley, Conductor
in die illa tremenda; quando coeli
movendi sunt et terra.
Dum veneris judicare saeculum per
ignem.
Libera me, Domine, de morte aeterna,
in die illa tremenda. Libera me,
Domine.
Saturday 25 February 1984 at 7.45 p.m.
Holy Trinity Church, Guildford
GUILDFORD CHAMBER CHOIR
Guest Conductor: David Hill (Westminster Cathedral)
with
PETER WRIGHT, Organ
Programme includes:
Palestrina: Exultate Deo
Gabrieli: O Magnum Mysterium
Schiitz: Hodie Christus Natus Est
Poulenc: Exultate Deo
O Magnum Mysterium
Hodie Christus Natus Est
Elgar (d.1934): Ave Verum
Great is the Lord
Ist Movement Organ Sonata
O Hearken Thou
Give Unto the Lord
Admission by programme £3.00
(senior citizens and students £1.50)
available from 61266 and at the door
GUILDFORD PHILHARMONIC ORCHESTRA
Artistic Adviser — Vernon Handley
First Violins:
Associate Leaders: Hugh Bean
John Ludlow
Christopher Bearman
Sheila Beckensall
Hywel Davies
Judith Edwards
Peter Jenkins
Linda McLaren
Barbara Moore
Peter Newman
Susan Penfold
Derek Powell
Alec Suttie
Second Violins:
Nicholas Maxted Jones
Harold Nathan
Marie Louise Amberg
Timothy Callaghan
Ruth Dawson
Marilyn Downs
Peter Fields
Daryl Griffiths
Hywel Jones
Ruth Knell
Adrienne Sturdy
Cellos:
Eldon Fox
John Stilwell
Christina Macrae
John Hursey
John Todd
John Kirby
Frances Goodwin
Basses:
Michael Lea
Colin Paris
Michael Fagg
Jeremy Gordon
Hubert Downs
Ian Eyres’
Flutes:
Katherine Hill
Alexa Turpin
Piccolo:
Simon Hunt
Oboes:
Howard Walsh
James Brown
Deirdre Lind
Violas:
Clarinets:
Jeremy White
Jonathan Welch
Jean Burt
Frederick Campbell
John Harries
Malcolm Williamson
Celi Azulek
Leonard Lock
Hale Hambleton
Victor Slaymark
Bassoons:
Horns:
Peter Clack
Dennis Scard
David Clack
George Woodcock
Trumpets:
Clifford Haines
Michael Hinton
Patricia Reid
Susan Bishop
Off Stage Trumpets:
Colin Moore
Edgar Riches
Peter Goy
Dennis Egan
Trombones:
Alfred Flaszynski
Ian White
Bass Trombone:
Martin Nicholls
Tuba:
Stephen Wick
Percussion:
Charles Fullbrook
Timpani:
Roger Blair
Nicholas Hunka
Anna Meadows
Andrew Stowell
Contra Bassoon:
Frances Eustace
The audience may be interested to know that the violin
sections are listed in alphabetical order after the first
desk because a system of rotation of desks is adopted in
this orchestra so that all players have the opportunity of
playing in all positions in the section.
There’s so much to do in Guildford
GUILDFORD SPORTS CENTRE,
Bedford Road. For sauna,
CIVIC HALL, London Road. For all
solarium, squash, swimming, keep
plus facilities for your own events.
fitand much more! Tel: 571651/3
or 505027 after 5pm and weekends
* SPORT
* PARKS
* MUSIC
YEOMANS BRIDGE SPORTS
HALL, Manor Road, Ash. For all
types of dry sports. Tel: Aldershot
25484 evenings and weekends
* ART
GUILDFORD LIDO, Stoke Road.
* HISTORY
setting from May to September
Heated swimming pool in parkland
Kinds of family entertainment
—
Tel: 67314 or 502866 evenings and
weekends
GUILDFORD MUSEUM, Castle
Arch, Quarry Street. For a
fascinating trip into local history
Tel: 66551
GUILDFORD HOUSE GALLERY,
High Street. Varied art exhibitions
throughout the year. Tel. 505050 or
Tel: 505207
503406 evenings and Saturdays
PARKS AND OPEN SPACES for
relaxation and pleasure
GUILDFORD PHILHARMONIC
ORCHESTRA. A full range of
throughout the borough.
Tel: 505050
concerts and recitals at the Civic
Hall
Tel: 573800
... why not make the most of it!
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WIND ORCHESTRA
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New Members Welcome
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FREQUENT CONCERTS
For information contact:
DAVID HAMILTON, Director S.C.W.O.
COUNTY MUSIC CENTRE, WOKING COLLEGE, RYDENS WAY, WOKING, SURREY
Telephone WOKING (04862) 61039
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is open to all members of the general
public. We stock a wide range of
This Department has gained for itself an
enviable reputation for its high quality of
performance. Members of the public are
most welcome at all our concerts —these
take place during term-time every
Wednesday at 1.15 pm and on selected
Sunday evenings.
Further information is obtainable from:-
The Secretary
Department of Music
University of Surrey
Guildford, Surrey
(Tel: Guildford 571281)
general and literary titles, as well as
being H.M.S.0. agents and Open
University stockists.
We are open Monday to Friday from
9.00 a.m. t0 5.00 p.m. and are also
open on Saturday mornings during
term-time from 9.00 a.m. to 12.30
p.m.
We operate a postal service or you may ovder by telephone
quoting your Access or Barclaycard Account Number.
So pay us a visit and browse at your leisure.
54 HIGH STREET, HASLEMERE, SURREY
Tel.: HASLEMERE 2696
24 hour Answering Service
Marks and Spencer is delighted to give support
to the Guildford Philharmonic Orchestra
as part of its involvement in the Arts.